Senator Patrick Leahy Trance-Formed

A controversy surrounds the book entitled "The Trance-Formation of America", by Cathy O'Brian.
O'Brian claims to be a former mind controlled sex slave who served U.S. Presidents and Congressmen as well as passing classified information between them.

 Cathy O'Brian

The book reads like a mixture of James Bond and a pornographic romance novel.

The people who control Cathy, "handlers", are mainly in the entertainment industry and  many top performers and politicians are named. Jimmy Buffet, Gerald Ford, Dick Cheney, George Bush Sr. and Kris Kristopherson are among those mentioned.

Also mentioned is Senator Patrick Leahy of Vermont, who is portrayed torturing O'Brian by putting a microchip in her eye with a hypodermic needle. All sorts of crazy sexual abuse by him and the others is described.

Here is an excerpt:

"Most of my traumatic encounters with Leahy were alien-themed, but he often relied on my Catholic upbringing to drive his points into my mind. From my perspective, Leahy was unquestionably one of the most intelligent criminals of this entire Shadow Government. His carefully contrived chameleon-like characteristics provided him the latitude of appearing to share the principals and beliefs of whomever he was masterfully manipulating both on a national level and international level. He won Reagan's respect through their shared diplomatic ties to the Vatican, and his Irish-Catholic heritage. While he appeared publicly to oppose Byrd on Senate Appropriations issues, they actually worked together behind the scenes in their shared world dominance efforts. Again from my perspective, Leahy was a loner who had his own agenda and answered to no one I knew. Leahy's intelligence was often manifested to me by triple depth meaning to his words and actions. Everything he did was for a deeper purpose, and this trip to vermont proved to be no different.

...I had seen and experienced basement "spy conditioning" torture chambers before both in the U.S. and Mexico, and Leahy's "torture lab" looked more like a NASA lab. His access to the latest advancements in electronic/drug mind control technology was consistant with his ability to use it."

This is wild reading, to be sure, though it is claimed to be true by the author.

This book has the feel of disinformation to it, but with a twist. It is as if someone on the "inside" has written this book for fun, telling truths as they get their jollies off writing it, because the book has a very salacious way of describing both the sex and the people involved.

Since most citizens would rather not face the nasty underside of politics and politicians, reading a book like this would to them seem like an obvious exercise in fantasy, especially the way it is written.

Many psychopathic criminals have a strong desire to tell the details of their crimes publicly, such as taunting police with details like the Zodiac killer did, in his letters to them.
If one were a politician and a psychopathic criminal, what better way to reveal one's crimes than in a book most would find unbelievable, especially when mixing fantasy and reality.

Glimpses of the sordid reality of politicians sometimes do surface in mainstream media but usually only for the sensationalized  story of the week or as filler somewhere on page A19.
These types of stories pass in and then out of the public mind like so many television shows that never make it beyond the first season.

Senator Larry"toilet stall" Craig!


Put together as a whole though it would appear that many, if not most, politicians are up to their necks in criminal activities.

Certain stories come to mind Such as the Franklin County Cover Up or the Marc Dutroux Scandal in Belgium, both of which implicated high level politicians and would be enough to take down whole governments if the mass media was truly independent of  the government and military.


In Vermont both Senators Leahy and Sanders are lauded for their work on behalf of the state and its citizens.
They also bring home the bacon, or Pork, the kind of Federal money a state needs but only a Senator can obtain.

The Senators satisfy both the liberals and conservatives of the state by supporting humanitarian and military causes. Many technical jobs exist in the state because of military contracts and are an easy sell in a liberal state because many of the technologies are "dual use", having both military and civilian applications.

Both Sanders and Leahy are blowhards. They are both masterful talkers. This is their job. They have busy days and competent staffs that handle the details, although I'm sure they are controlling micro-managers.

They say what needs to be said to please the state and national audience. Think about how many issues Leahy has taken on during his career. Some local problems are consistent, such as milk prices and the like, but all those flash in the pan national issues just come and go yet it's like he is Mr. Expert Big Man in front of the cameras. (He's also a shutterbug in his spare time, speaking of photography)

People are so starry-eyed about these guys that few take the time to investigate the charges made by Cathy O'Brian, especially since the accusations are so lurid.
This is one effect of her book, making the charges against Leahy appear all the more wild due to the context it is given.

Leahy certainly must run a tight ship as far as employee loyalty is concerned and if there were any improprieties, one would be wary of disclosing such information because few would believe the charges if they were as far out as O'Brian's.
Leahy is also a powerful and well-liked public official and to take him on would be a daunting task.

Leahy is a fan of The Grateful Dead and was a good friend of Jerry Garcia, who was himself possibly connected to the intelligence community.

            Dead Thread

Researcher Jim Keith wrote in Mass Control:

"An FBI internal memo from 1968 mentions the employment of the Grateful Dead as an avenue 'to channel youth dissent and rebellion into more benign and non-threatening directions.' [They] performed a vital service in distracting many young persons into drugs and mysticism, rather than politics."


Everybody is aware of how drug use is intertwined with the Grateful Dead and how they never seemed to lose their sixties status or following.

The Garcia/Leahy relationship would fit right in with the template of entertainer as handler and Senator as abuser that O'Brian sets up in her book.

Leahy was State's Attorney for Chittenden County before he ran for Senate in 1974, so does this mean he puffs on the side? Was it that one acid trip (I'm guessing) he took back in '68 or does he just "like the music"? Why wasn't he busting Garcia and band with their bucketloads of Heroin?

Drugs in and of themselves are not necessarily bad, but used in society, en masse, at the appropriate time can distract people, even if momentarily, from the immediacy of pressing problems.

Aldous Huxley writes:

"The twenty-first century...will be the era of World Controllers... The older dictators fell because they could never supply their subjects with enough bread, enough circuses, enough miracles and mysteries. Under a scientific dictatorship education will really work-with the result that most men and women will grow up to love their servitude and will never dream of revolution. There seems no good reason why a thoroughly scientific dictatorship should ever be overthrown."

   Lightening-bolt flags of British Fascists

The Grateful Dead's heir apparent, Phish, is a talented and creative band but curious in connection as to where they sprang up. It could be nothing-going out on a limb here-but the bar, Nectar's, is directly across from Senator Leahy's office in downtown Burlington, Vermont.

                                              

 "My lawyers give funny handshakes!"

Placement is everything in this town, just as Senator Sanders' office is in the Masonic Temple that dominates Burlington, physically and spiritually.
Could be nothing, just some philanthropic old farts practicing ritual sun worship magic. Regular folksy things like that.

Corruption in politics is nothing new, nor entertainers and politicians shmoozing together in after hours debauchery.

Here are some excerpts from a 2009 senate speech on the reunion of Phish:

"Mr. President, I want to give recognition to an event taking place in Hampton, VA, beginning tonight, March 6. This weekend, Vermont's own musical group, Phish, will celebrate a reunion not far from our Nation's Capitol, following their retirement in August of 2004.

...What began at the University of Vermont in Burlington, and was nurtured at Goddard College in Plainfield, flourished into an enormous creative musical force that delighted fans from across the world for many years. They spread their music throughout Europe and Japan, from coast to coast in the United States, and rang in the millennium in front of 85,000 people on the Big Cypress Indian Reservation in Florida, playing that concert's final notes as the sun rose over the horizon at the dawn of a new century.

Theirs has been a remarkable journey of musical exploration, improvisation and risk-taking much akin to the early era of the Grateful Dead. From outdoor summer festivals to Halloween celebrations that found the band donning musical "costumes" by playing an album of another musical group from beginning to end, Phish carved a niche in the musical world that was left conspicuously empty with their retirement."

Leahy also is into caped crusader Batman.
and even had a bit part in the Batman film The Dark Knight.





It is not necessary to believe in a world-wide conspiracy to understand that blackmail, bribery, prostitution of all styles, drug running, torture and murder happen behind the scenes in politics and entertainment. It happens locally, nationally and internationally and there may be  no outright conspiracy but people simply covering their asses for nasty actions.

Something in the portrayal of Leahy by O'Brian rings true even if the book is a work of disinformation, which it most likely is.
It is only when someone in power trips up in public that the weirder and sicker side shows up on the public's radar, and even then it is usually whitewashed over.

All those in favor, say "eye".

ECHO-Leahy Center

Possible Evidence of Hollow Planets and Moons

 "Alice laughed: "There's no use trying," she said; "one can't believe impossible things." "I daresay you haven't had much practice," said the Queen. "When I was younger, I always did it for half an hour a day. Why, sometimes I've believed as many as six impossible things before breakfast."
Alice in Wonderland.

An idea gathered from historical and anecdotal evidence is that the Earth is hollow, with circular openings at the poles and contains a small inner sun.

It seems far-fetched initially, so the first idea that must be understood is that nothing is what it seems.

Control of information

The various  governments, space agencies and the like are all compartmentalized organizations where only those at the head know what is happening and how.

Scientists and other polar visitors are carefully vetted and kept within the confines of well established routes of travel and exploration.

Science is easy to control for if there is no funding from large corporations and governments-then there is no research.

Why such a reality would be kept a secret by can be explained by the example of the dicovery of the North American continent.

Many small time navigators, usually fishermen, had come upon and moved to North America long before the official discovery in the 15th century.
Any of the European powers could have certainly made the voyage if common fishermen were doing so, but they appear to have been working in concert (at least on this issue) to hold off.

Masonic researcher Manly p. Hall:

"Time will reveal that the continent now known as America was actually discovered, and, to a considerable degree, explored more than a thousand years before the beginning of the Christian era. The true story was in the keeping of the Mystery Schools, and passed from them to the Secret Societies of the  medieval world. The Esoteric orders of Europe, Asia, and the Near East were in at least irregular communication with the priesthoods of the more advanced Amerindian nations"

The priest class controls the military class and they, in turn, control the common people.

In his well-documented and researched book, The Search For Lost America, Salvatore Michael Trento writes of Colonel Joseph Bryant, a Dartmouth-educated Mohawk chief talking to a scholar, Mr. Woodruff:

“Among other things relating to the western country,” says Mr. Woodruff, “I was curious to learn in the course of my conversations with Mr. Bryant, what information he could give me respecting the tumuli (mounds) which are found on and near the margin rivers and lakes, from the St. Lawrence to the Mississippi.

He stated, in reply, that the subject had been handed down time immemorial, that in an age long gone by, there came white men from a foreign country, and by consent of the Indians established trading houses and settlements where these tumuli are found. A friendly intercourse was continued for several years; many of the white men brought their wives, and had children born to them; and additions to their numbers were made yearly from their own country. These circumstances at length gave rise to jealousies among the Indians, and fears began to be entertained in regard to the increasing numbers, wealth, and ulterior views of the new comers; apprehending that, becoming strong, they might one day seize upon the country as their own. A secret council, composed of all the chiefs of all the different nations …was therefore convoked…a resolution that…all their white neighbors …should be exterminated. The most profound secrecy was essential to the execution of such a purpose; and such was the fidelity with which the fatal determination was kept, that the conspiracy was successful, and the device carried completely into effect. Not a soul was left to tell the tale.”(William L. Stone, Life of Joseph Bryant-Thayendanega, p. 484)...

Secrets are revealed officially only when it suits those in power. They appear to be working on a schedule planned and set in motion a long time ago. Otherwise don't believe your lying eyes...

Polar satellite imagery can easily be manipulated.

Norad image showing paths of polar orbiting satellites.

Polar flights probably do not fly anywhere near the pole. The north and south poles visited by adventurers and scientists most likely are the areas directly adjacent to the openings, where the compass readings are the same all around the openings.

The strongest evidence comes from other planets.

This is Uranus's south pole:

And this is Saturn's south pole:

Saturn's south pole hot spot:

Jupiter's north pole:

Latest view of Saturn's north pole:

Jupiter's south pole:

And of both its poles:

 

Neptune's south pole:

Saturn's moon Enceladus' south pole hotspot:

Venus, south pole:

The Moon's south pole:

Saturn's moon Titan, south pole (c and d):

Mars' north and south pole:

   

While these images are not conclusive they are intriguing clues as to the true nature of the planets.

And not only may these orbs be hollow but inhabited as well...

LUCIAN (of Samosata) said in A.D. 165 :

"We were suddenly caught in a whirlwind, which turned our vessel several times around in a circle with tremendous speed and lifted it more than three thousand stadia into the air, not setting it down again on the sea, but kept it suspended above the water at that height, and carried us on, and with swelled sails, above the clouds.
After an aerial voyage of seven days and seven nights, we sighted land in the air. It was an island, luminous, spherical and shining with strong light.
We put into it, and having cast anchor, landed. On examining the country, we discovered that it was inhabited and cultivated.
In the daylight we could see nothing from where we were, but when night came, other islands became visible to us in the surrounding air, some close by, some larger and some smaller, with the apppearance of fire.
There was another island below us , with cities, rivers, seas, woods, and mountains on it. This, we concluded, was our own world."

For more information try these sites:
The Hollow Earth
Faked Moon Landings
Free Energy and Free Thinking
Hollow Orbs
Etidorhpa
Olaf Jansen's Story

Sacrifice by Flipper

Nowadays it's robots and drones doing the killing for us, so nothing has changed...

Masonic Symbolism In David Lynch's Mulholland Drive

Mulholland Drive is a 2001 film by the filmmaker David Lynch. The first half of the film is of a low-level actress dreaming of her hopeful and generally positive entrance into Hollywood. She later wakes to a reality of broken relationships, despair and eventually killing herself in the end.

Lynch's surrealistic narrative style allows for an intermixing of reality and dreamland which can require repeated viewings to understand just what is going on. Part of the pleasure of his films is the apparent simplicity of the scenes which take on new meaning as the story develops. It also also forces the confused and intrigued
to watch the film again.

Having not seen this film since 2003, it was amazing to see the amount of western secret society symbolism it contains. A whole new narrative can be seen in the movie.

This is a film about how films are made in Hollywood.

The enigmatic executive of few words, in a wheelchair of some sort and seeing his elite henchmen only on the opposite side of a glass enclosed room, gives orders as to who will direct the film being made-The Sylvia North Story-and who will star in it.


In each scene, this Howard Hughes-like character is in the same position apparently holding the cellphone he uses to communicate to the outside world.
This gesture is, in Masonry, the Sign of the Fellow Craft-the Second Degree.
According to researcher Texe Marrs, although this is a relatively low degree, advanced initiates use it because it represents a stage in mankind becoming like gods.
It must be noted at this point that these gestures are universal, that is to say, existing before their utilization by secret societies, much as the vocal chords exist before applying language.


Notice the pyramidal designs on the elevator door and the gesture close up in the final second.

This sign is certainly a display of power, as shown in this Egyptian image:

When the director of The Sylvia North Story refuses to accept the actress desired by the studio, he has a non-verbal showdown with one of the henchmen who gives this sign:


This is the sign of the Mark Master in the Lodge-the 4th Degree.

Nothing in a David Lynch film is random or accidental, especially in a scene such as this where the henchman is quite obviously communicating, without a word, "obey me, I have the power" .

The pivot of the movie is when the protagonist of Mulholland Drive is dragged, in the middle of the night, by her amnesiac friend to a theater/club called "Silencio".


Skip to the 2:34 mark to get to when the pair enters the club. The Master of Ceremonies, who has a particularly diabolic look, gives the "El Diablo" hand gesture at the 3:29 mark.
Holding a magician's wand, he tells the audience in Spanish, English and French that even though one hears music, there is no band, it's on tape, that it is all an illusion.



Not so long ago, construction crews working beneath Paris stumbled on a hidden film theater with an entrance guarded by a recording of barking dogs to scare away intruders. They found a number of mainstream movies, nothing more. The next day they arrived to find a note saying "Do not try to find us."

http://www.guardian.co.uk/world/2004/sep/08/filmnews.france



Also, on the bedside table at the Aunt's apartment is a guide book entitled "Tout Paris", or, "All Paris". Lynch's financial backers are French.

Seen in the context of secret societies and the attendant mind control/brainwashing, the amnesiac actress could be seen as someone who has been programmed to go to Club Silencio at the appointed hour to maybe partake in further programming.




A befuddled yet passionate appearing performer lip-syncs Roy Orbison's "Crying...Over You", in Spanish, no less. She has red-orange eye makeup as well as an eye-like teardrop. A tear tattoo under the eye shows that one has killed somebody.
Is she a mind-controlled killer, or it this a way of saying that Watt is the killer?




During the presentation, a blue box appears in the seat next to them which has a lock matching a mysterious triangular key found in the purse of the amnesiac (along with many hundreds of thousands of dollars).
Not only are the key and the lock triangular, but where the thumb and forefinger grip the key, a sun symbol (the circle) and moon symbol (the crescent) are found.

When the box is opened, like Pandora's Box, the demons come out and the reality of despair surfaces. The amnesiac and the central character are lovers and we find Naomi Watt "playing with her box" later in the movie.(!)
The box is blue, signifying the blue degrees of Masonry as well as the Ashlar Stone, the rough stone that is to be perfected by Masons progressing up through the degrees.



In Club Silencio a strange, genie-like woman with blue hair sits in a balcony adjacent to the stage and at the end of the movie, just after the central character kills herself, the blue-haired woman reappears, puts a finger to her lips and says "Silencio".
The finger to the lips in Masonry is the sign of the Due-Guard of the Royal-Arch Mason. This signifies keeping the secrets of Masonry safe because the penalty is death, each degree having it's own manner of ritual murder for revealing secrets that threaten the order.

Lynch may be showing that Silencio is a "blue-box" theater and that Watt has the choice upon receiving the box-within-the-box to open it or not, and that death ( the teardrop) will be the result if she does.



Another gesture made by the M.C. is the crossed arm with the fingers spread like wings. This is very similar to a gesture made during a Masonic ritual in the film "Peggy Sue Got Married".
The scene begins at 1:26:15

Skip to the 1:27:40 minute mark for the gesture.
This whole scene is very informative. They are invoking gods with flesh (egg), blood (wine) and oil.
At the 1:26:39 mark, notice the picture,bottom row, second from left...

Plenty of other things like the "A-OK" (the evil eye), the all-seeing eye on the front of the lodge,etc. They are initiating time travel which is also inter-dimensional travel, the doorway the lower gods, the demons, use when summoned.
These demons are only able to come here when a doorway is opened, and here the Masons are using Peggy-Sue as a channel.



Some sort of magic is also being worked at Silencio, as when Watt starts shaking uncontrollably. It appears she is either being possessed or the opposite, having her spell broken.

Through this film, Lynch is doing much like what Stanley Kubrick did with "Eyes Wide Shut",he is revealing the power that controls Hollywood, although in a much more obtuse, symbolic way.
The surrealistic, "Dream World" nature of Lynch's film allows him to get away with it, unlike Kubrick, who even though probably a Satanist, was not allowed to. Many think that Kubrick was whacked because of what he showed in Eyes Wide Shut.

If one mixes the dream content with the real world experiences of the main character then a fuller understanding arises. The Unreality of the first half is the perception Watt had as it actually happened, not in retrospect. It is simply that her trance is broken at Silencio. Her friend did not lose her memory in a car accident. It was a surface lie given to cover brainwashing. She unlocks the box only to find she not on her way to stardom and now, instead of wanting to find out what caused her friend's amnesia, she hires a hitman to kill her.

There is more than a dream within a dream going on in this film and David Lynch is able to reveal through symbols more than he can say. Silencio, indeed.


Here, the gesture signifies X-the Sun God and "Cross my heart and hope to die".

It is highly recommended for those who want further confirmation of the symbols and gestures described here, to read Texe Marrs "Codex Magica".
In 2 Worlds is also recommended.
http://in2worlds.net/mind-control-themes-and-programming-triggers-in-movies